All About That Bass is the debut single of American singer-songwriter Meghan Trainor, released on June 30, 2014, through Epic Records. The song was included on Trainor's debut extded play (EP) Title (2014) and her debut studio album of the same name (2015). Writt by Trainor and producer Kevin Kadish, All About That Bass is a bubblegum pop, doo-wop and hip hop track. Trainor, who as a teager struggled with her negative body image, was inspired to write the song to promote self-acceptance.
Some music critics praised All About That Bass's production and memorable message, while others called it a novelty song and criticized the failure of its lyrics to empower every body type. The song was nominated for awards, including Record of the Year and Song of the Year at the 57th Annual Grammy Awards. It was the best-selling song by a female artist during the 2010s in the United States, and was certified Diamond by the Recording Industry Association of America (RIAA). It also reached number one in 58 countries and received multi-platinum certifications in Australia, Canada, Dmark, Italy, Mexico, New Zealand, Norway, Swed, Spain, and the United Kingdom, becoming the fourth best-selling song of 2014 with 11 million copies sold worldwide.
Fatima Robinson directed the song's music video, which features 1950s-inspired aesthetics and a pink pastel backdrop. The video was released on June 10, 2014, and played an important role in the song's rise to promince. All About That Bass inspired parodies and cover versions. Trainor performed the song on television shows such as The Tonight Show Starring Jimmy Fallon, Country Music Association Awards, and The X Factor UK, and included it on the set lists of her concert tours That Bass Tour and MTrain Tour (2015), and The Untouchable Tour (2016).
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After indepdtly releasing three albums herself betwe 2009 and 2010, Meghan Trainor decided to write songs for other singers because she considered herself one of the chubby girls who would never be an artist.
In 2012, she signed a publishing deal with Big Yellow Dog Music, a Nashville, Tnessee-based music publishing firm, and moved to Nashville the following November.
American songwriter Kevin Kadish met Trainor in June 2013 at the request of Carla Wallace, a co-owner of Big Yellow Dog. Kadish liked Trainor's voice and booked a writing session with her the following month.
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He said it was like a blind date because they had a strong song-writing affinity and a mutual love of pop music from the 1950s and 1960s.
Trainor was also inspired by Bruno Mars's Just the Way You Are (2010), and criticized the use of electronically edited images in beauty magazines.
They pitched it to several record labels, who said it would not be successful because of its retro-styled composition and wanted to rerecord it using synthesizers, which Kadish and Trainor refused.
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Trainor sang All About That Bass for Paul Pontius, who was the A&R manager for Epic Records chairman L.A. Reid. She performed the song the following week using a ukulele for Reid, who signed her with the record label 20 minutes later.
Speaking in 2015, he said he considered it lightning in a bottle and realized at their first meeting Trainor was going to explode.
An 18-second sample of All About That Bass, featuring Trainor singing the track's pre-chorus, which is complemted by a scatting tempo, shimmying melody and early 1960s soul-pop groove
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The song was produced, gineered, programmed, sound designed, and mixed by Kadish—who also played drums, electric guitar, and bass guitar—at the Carriage House studio in Nolsville, Tnessee. David Baron played the piano, baritone saxophone, and Hammond organ. Trainor provided the track's clapping and percussion, and Dave Kutch mastered the recording at the Mastering Palace in New York City.
All About That Bass includes syncopated handclaps and bass instrumtation. In the song's outro, Trainor alternates betwe wordless vocal ad-libs and a pitched-down echo of bass, bass, bass at the d of the chorus mark.
The lyrics of All About That Bass are a call to embrace inner beauty, and to promote positive body image and self-acceptance.
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She affirms the listers their bodies are flawless, and asks them to move along if they are only attracted to thin wom.
Kevin O'Keeffe of The Atlantic compared its lyrical message to those of Kesha's We R Who We R (2010), Pink's Fuckin' Perfect (2010), and Sara Bareilles' Brave (2013), among others.
All About That Bass was released as the lead single from Trainor's debut extded play (EP) Title in 2014 and her studio album of the same name the following year.
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Sony Music st the track to radio stations in Italy on September 5 and the United Kingdom's BBC Radio 1 added it to its playlist three days later.
An EP titled All About That Bass was released in Austria, Germany and Switzerland on October 3; it also included the tracks Title, Dear Future Husband, and Close Your Eyes.
On the same day, All About That Bass was released as a CD single in Germany with only Title as its b-side.
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As All About That Bass began rising in popularity, Radio Disney's vice presidt of programming Phil Guerini asked Epic to sd it a family-fridly version of the song with lyrics suitable for all audices. The record label agreed to this because it wanted to maximize airplay and reach as many radio formats as possible.
In the bowdlerized version, the line But I can shake it, shake it, like I'm supposed to do was replaced with But Imma make it, make it, like I'm supposed to do; and the line Boys like a little more booty to hold at night became Boys like the girls for the beauty they hold inside; it was also used on adult contemporary radio stations.
Jon Caramanica of The New York Times called it a shimmery and cheeky [...] hit but criticized Trainor's unthusiastic and drawn-out delivery, and accused her of imitating black music.
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Molanphy described the lyrics as effortlessly memorable and complimted the production, but worried the misuse of the word treble in its lyrics might ruin the word's meaning for a whole geration.
The lyrics of All About That Bass caused controversy; some critics called the song anti-feminist and accused Trainor of shaming thin wom.
Kris Ex of Complex said Trainor imitated body standards oft used to stereotype black wom and appropriated colloquialisms that are associated with African-American Vernacular glish.
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Alexa Camp of Slant Magazine called the song faux empowermt and criticized Trainor for couraging wom to rely on m's opinions for validation.
McKinney said some of its lyrics promote a body-positive attitude and high self-worth while others contradict those values by digrating other wom.
The Indepdt writer Yomi Adegoke argued the track's substitution of convtional beauty standards with new ones is a poor represtation of body positivity, and was insulted by its statemt m find only curvy wom attractive.
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In response, Trainor said; I didn't work this hard to hate on skinny people, I wrote the song to help my body confidce—and to help others.
Writing for The Guardian, Sullivan and Beejoli Shah defded All About That Bass; Shah suggested critics were reading too much into its lyrics and that this isn't an academic polemic on modern womanhood: it's a pop song.
Ashley White of Florida Today thought the song did not shame thin wom, instead interpreting its lyrical message as no one—skinny, fat or in betwe—should have to feel uncomfortable or imperfect in their skin.
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Tertainmt Weekly's Melissa Maerz named All About That Bass one of the two best tracks on Title, describing it as a boomin' booty ode.
Writing for Spin, Dan Weiss called the song a fluke hit but noted it was historic and would uplift more listers than it offded.
Sullivan stated that while the track's palatable nature and retro-inspired cutess contributed to its success, the unwavering body-positive message of its lyrics was its biggest appeal.
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Stereogum's Chris DeVille considered criticisms of the lyrics valid but praised the pleasant swagger in Trainor's expressionless delivery and its joyful nature, finding it a clever update on its retro influces.
Evan Sawdey of PopMatters called the song optimistic, lively, and absolutely delightful, and concluded that it was one of the most joyable songs of 2014.
The song was nominated for Best Song with a Social Message at the 2014 MTV Europe Music Awards and for Favorite Song at the 41st People's Choice Awards.
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At the 57th Annual Grammy Awards in 2015, All About That Bass was nominated in the categories Record of the Year and Song of the Year.
And reached number one on September 20, making Trainor the 21st female artist in Billboard Hot 100 chart history to do so with her debut single.
All About That Bass spt eight consecutive weeks at number one, the longest run for a female artist in 2014, and any Epic Records artist in the chart's history.
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During the first six weeks at number one, the song led an all-female top five, breaking the record for the longest time wom occupied the top five.
It was also the first debut single to spd at least 15 weeks in the top two and the 10th song to spd 25 weeks in the top 10.
All About That Bass was the best-selling
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